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Also you can’t use IP unnumbered on multi-access interfaces like a Ethernet interface, only on point-to-point interfaces. Here’s what happens when I configure an IP addres on my serial interface and try to borrow it from my FastEthernet interface:

default interface FastEthernet 0/0 ip unnumbered Serial 0/0/0

You can see it fails since the FastEthernet interface is multi-access.

What about routing? are there any problems with IP unnumbered? Not really…let’s look at an example here:

First we will configure this network where we have an IP address on each interface. I’ll do this so you can see what the routing table looks like normally. Here is the configuration:

ip address 192.168.12.1 255.255.255.0 ip address 192.168.2.2 255.255.255.0 ip address 192.168.12.2 255.255.255.0

Each interface has an IP address, let’s enable a routing protocol:

router eigrp 12 no auto-summary network 192.168.12.0 network 192.168.1.0 outer eigrp 12 network 192.168.2.0

Now take a look at the routing tables:

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Tags: IP Routing

says:

Hhhm, so the routers don’t care if they are not on the same subnet?

says:

tnx alot man

says:

Hi Francesco,

It’s strange but that’s correct. In my example above it works with EIGRP, it also works with OSPF.

You have to use ip unnumbered on both sides though, otherwise you won’t get an adjacency.

Rene

says:

you don’t need to use IP unnumbered on both ends. The one without IP unnumbered will still check for valid subnet. IP unnumbered just disables it.

says:

Hi Rene, My question is If R1 Serial Interface is configured for ip unumbered and R2 Serial interface is not configured for ip unumbered but instead it is configured for some different subnet, will that work??

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ddddddd I saw Mike Young read at UnnameableBooks in New York this past summer when he explained what sprezzatura was. It was a Thanksgiving dish he once had in an elevator with a family at the airport. I touched the pale stones underneath my chair and felt how natural it was to me (I’m thinking of Stein again, her standing in the gallery in Paris while the angry people try to scratch the paint off Matisse’s Woman with a Hat, of what it means to articulate this word “natural” in relation to living art), the energy of Young’s presence and the real fragility of that story. It would get told again, I realized. The story, it wouldn’t get told again, it would be different. This is the poet afraid of himself / never afraid of himself / as the sentence(ing) continues / to give the story bloodfruitstrangeness. It’s why Mike Young has always struck me as utterly brave / a poet, who like Frank Stanford, throws knives at the ceiling fan and calls it sweat / the mosquito throats of the trees. Driving home from the woods in Florida in the middle of winter, I think about this book, / the bud set / on fire, / or is it music / drifting? Driving home from the woods in Florida in the middle of winter, I am thinking about this book when I see a young woman behind a young man on a scooter. How the young woman explains it to me, / I can only describe as sprezzatura. Was it that spectacular or was it just the light / my own weirdness / salted and peaking? As we all move or stream, / she gestures, first, at the privately owned prison outside of town surrounded by barbwire and longhorn cattle. Second, she raises her hands and sort of waves / flaps / gives in to abandon / energy / a kind of fucked sun glistening off her. I don’t know what she’s feeling. / It doesn’t matter. / It travels. On and on.

What is it to define, variously: A Review of Mike Young’s Sprezzatura was last modified: February 10th, 2015 by Carrie Lorig
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Carrie Lorig is the author of the chapbook . (Magic Helicopter Press) and several collaborative chapbooks, including (Forklift, OH) with Nick Sturm and (Radioactive Moat) with Sara Woods (Moss Angel). A full length book, (Artifice Books) will be out in 2015.

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